All About Eve consists of Andy Cousin (bassist), Julianne Regan (vocalist, bassist), Mark Price (drummer, percussionist), Tim Bricheno (guitarist), Toni Haimi.
All About Eve is a British rock/pop band. The creative core consists of Julianne Regan ( vocals) and Andy Cousin ( bass guitar), with other members changing over the years.
Julianne Regan, a former journalist, played bass for the popular rock group Gene Loves Jezebel for a little while. The initial core of All About Eve was Julianne, guitarist Tim Bricheno, and bassist Andy Cousin from Aemotti Crii. As a three-piece (plus a drum machine), they released a series of independent singles in the mid 1980s including "D For Desire," "In The Clouds," and "Flowers In Our Hair." After Julianne sang backing vocals for The Mission's God's Own Medicine album, the band received greater attention and were signed to Phonogram. Drummer Mark Price was added around this time.
Their self-titled debut album was released in 1988 and produced the UK hit single Martha's Harbour. [In a well known incident, the band later performed a dubbed version of this song on the UK TV show Top Of The Pops, but due to a studio technical error the taped vocals were broadcast without the band being able to hear them, resulting in the TV audience hearing the recorded version of the song, whilst the band members sat motionless on screen waiting for their cue to begin]. Drawing much of its lyrical material from hippie ideals, white magic and dreamlike fairy tales, the album's gentle folk rock-inspired pop sound won the band many fans (nicknamed "angels"). Although often falsely lumped by the media under the label of goth rock, little (if any) such inspiration actually played a part in the band's music after around 1986, any "goth" connection being drawn not from the music, but from the previous and future engagements of the band members in the musical scene of the time.
The following year, their second album Scarlet And Other Stories was released, and the band toured around the UK. Widely prevalent on this album were Regan's somber, highly melancholic moods. Painful chance encounters with love also appeared on the lyrical front, and it is this motif (and period of time) which was to greatly paint the picture for the future of the band as well.