Antics Tabs:
- Evil
- Narc
- Take You On A Cruise
- Slow Hands
- Not Even Jail
- Public Pervert »
- C'Mere
- Length Of Love
#-----------------------------------PLEASE NOTE------------------------------#
# This file is the author's own work and represents their interpretation #
# of the song. The owner of this website has not reviewed the contents of #
# this file. If you feel that the content of this file may be violating #
# copyright law, you may not use the information displayed here in any way. #
#----------------------------------------------------------------------------#
Title: Public Pervert
Band: Interpol
Album: Antics
Tuning: Standard
Tabbing by: Sean Konagaya
(0:01)
Guitar1 Guitar2
|-------------------|------------------|
|-------------------|--10--1010--1010--|
|-------------------|--10--1010--1010--|
|-------------------|--10--1010--1010--|
|--87--8-----87--8--|------------------|
|-------------------|------------------|
Guitar1 Guitar2
|------------|--------------------------|
|------------|--8---8-8---8-8-----------|
|------------|--9---9-9---9-9-----------|
|----------—-|--10--1010--1010----------|
|--88-77-88--|--------------------------|
|------------|--------------------------|
Guitar1 Guitar2
|------------|------------------|
|------------|--10--1010--1010--|
|------------|--10--1010--1010--|
|----------—-|--10--1010--1010--|
|--88-77-88--|------------------|
|------------|------------------|
Guitar1 Guitar2
|------------|--------------------------|
|------------|--8---8-8---8-8-----------|
|------------|--9---9-9---9-9-----------|
|----------—-|--10--1010--1010----------|
|--88-77-88--|--------------------------|
|------------|--------------------------|
Guitar1 Guitar2
|------------|------------------|
|------------|--10--1010--1010--|
|------------|--10--1010--1010--|
|------------|--10--1010—-1010--|
|--55-77-88--|------------------|
|------------|------------------|
Guitar1 Guitar2
|------------|--------------------------|
|------------|--8---8-8---8-8-----------|
|------------|--9---9-9---9-9-----------|
|----------—-|--10--1010--1010----------|
|--88-77-88--|--------------------------|
|------------|--------------------------|
Guitar1 Guitar2
|------------|------------------|
|------------|--10--1010--1010--|
|------------|--10--1010--1010--|
|------------|--10--1010--1010--|
|--88-77-88--|------------------|
|------------|------------------|
Guitar1 Guitar2
|------------|--------------------------|
|------------|--8---8-8---8-8-----------|
|------------|--9---9-9---9-9-----------|
|----------—-|--10--1010--1010----------|
|--88-77-88--|--------------------------|
|------------|--------------------------|
(0:42)
Guitar1
|--------------------------|-
|--------------------------| |
|--------------------------| |
|--------------------------| |
|--8/10-8—-55-555-55-------| |
|--------------------------| |
Guitar2 |-Synchronized
|--------------------------| |
|------------------13------| |
|------------------14------| |
|------------------15------| |
|--------------------------| |
|--------------------------|-
|-------------|-
|-------------| |
|-------------| |
|-------------| |
|--00-000-00--| |
|-------------| |
|-Synchronized
|-------------| |
|----------8--| |
|----------9--| |
|----------10-| |
|-------------| |
|-------------|-
(0:52)
Guitar1
|----------|
|----------|
|----------|
|----------|
|--8/10-8—-|
|----------|
Guitar 1 and 2
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|--33333333-222-55555-----33333-77777777--|
|--11111111-000-33333-555-11111-55555555--|
|---------------------333-----------------|
Guitar2
|-----------------------------------------|-
|-----------------------------------------| |
|-----------------------------------------| |
|--33333333-222-55555-----33333-77777777--| |
|--11111111-000-33333-555-11111-55555555--| |
|---------------------333-----------------| |
|
Guitar1 |
|-----------------------------------------| |
|-----------------------------------------| |
|-----------------------------------------| |
|-----------------------------------------| |-syn. X2
|--88888888-777-101010101010101010101010--| |
|-----------------------------------------| |
|
|-----------------------------------------| |
|-----------------------------------------| |
|-----------------------------------------| |
|-----------------------------------------| |
|--55555555-------------------------------| |
|-----------------------------------------|-
(1:22)
Guitar1 Guitar2
|---------|------------------------------|
|---------|--10--1010--1010---10---10—---|
|---------|--10--1010--1010-10---10--10--|
|---------|--10--1010--1010--------------|
|--87--8--|------------------------------|
|---------|------------------------------|
Guitar1 Guitar2
|------------|-------------------------|
|------------|--8---8-8---8-8---8--8---|
|------------|--9---9-9---9-9--9--9-9--|
|----------—-|--10--1010--1010---------|
|--88-77-88--|-------------------------|
|------------|-------------------------|
Guitar1 Guitar2
|------------|------------------------------|
|------------|--10--1010--1010---10---10—---|
|------------|--10--1010--1010-10---10--10--|
|------------|--10--1010--1010--------------|
|--88-77-88--|------------------------------|
|------------|------------------------------|
Guitar1 Guitar2
|------------|------------------|
|------------|--8---8-8---8-8---|
|------------|--9---9-9---9-9---|
|----------—-|--10--1010--1010--|
|--88-77-88--|------------------|
|------------|------------------|
(1:44)
Guitar1
|--------------------------|-
|--------------------------| |
|--------------------------| |
|--------------------------| |
|--8/10-8—-55-555-55-------| |
|--------------------------| |
Guitar2 |-Synchronized
|--------------------------| |
|------------------13------| |
|------------------14------| |
|------------------15------| |
|--------------------------| |
|--------------------------|-
|-------------|-
|-------------| |
|-------------| |
|-------------| |
|--00-000-00--| |
|-------------| |
|-Synchronized
|-------------| |
|----------8--| |
|----------9--| |
|----------10-| |
|-------------| |
|-------------|-
(1:54)
Guitar1
|----------|
|----------|
|----------|
|----------|
|--8/10-8—-|
|----------|
Guitar 1 and 2
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|--33333333-222-55555-----33333-77777777--|
|--11111111-000-33333-555-11111-55555555--|
|---------------------333-----------------|
Guitar2
|-----------------------------------------|-
|-----------------------------------------| |
|-----------------------------------------| |
|--33333333-222-55555-----33333-77777777--| |
|--11111111-000-33333-555-11111-55555555--| |
|---------------------333-----------------| |
|
Guitar1 |
|-----------------------------------------| |
|-----------------------------------------| |
|-----------------------------------------| |
|-----------------------------------------| |-syn. X3
|--88888888-777-101010101010101010101010--| |
|-----------------------------------------| |
|
|-----------------------------------------| |
|-----------------------------------------| |
|-----------------------------------------| |
|-----------------------------------------| |
|--55555555-------------------------------| |
|-----------------------------------------|-
(2:35)
Guitar1
|------------------|
|------------------|
|------------------|
|------------------|
|--8---7---10---5--|
|------------------|
Guitar1
|------------------|
|------------------|
|------------------|
|------------------|
|--8---7---10---5b-|
|------------------|
Bass and drums goes on for a bit
(3:13)
Guitar2
|---------------------------|-
|---------------------------| |
|--101010101010101010101010-| |
|---------------------------| |
|---------------------------| |
|---------------------------| |
Guitar1 |-syn.
|---------------------------| |
|---------------------------| |
|---------------------------| |
|---------------------------| |
|--888888-77-10101010-5555--| |
|---------------------------|-
(Note: every note is play as sixteenth notes.)
Guitar2
|---------------------------|-
|---------------------------| |
|--9/SlideSlowlyNearEnd/18--| |
|---------------------------| |
|---------------------------| |
|---------------------------| |
Guitar1 |-syn.
|---------------------------| |
|---------------------------| |
|---------------------------| |
|---------------------------| |
|--888888-77-10101010-5555--| |
|---------------------------|-
(Note: every note is play as sixteenth notes.)
Guitar2
|-----------------------------------|-
|--15--1515--1515--1515-------------| |
|--14--1412--1212--1212-------------| |
|--------------15--1512-------------| |
|-----------------------------------| |
|-----------------------------------| |
Guitar1 |-syn.
|-----------------------------------| |
|-----------------------------------| |
|--101010101010-99-12121212-7777----| |
|-----------------------------------| |
|-----------------------------------| |
|-----------------------------------|-
(Note: every note is play as sixteenth notes.)
Guitar2
|-----------------------------------|-
|--15--1515--1515--1515-------------| |
|--14--1412--1212--1212-------------| |
|--------------15--1512-------------| |
|-----------------------------------| |
|-----------------------------------| |
Guitar1 |-syn.
|-----------------------------------| |
|-----------------------------------| |
|--101010101010-99-121212-14-7777---| |
|-----------------------------------| |
|-----------------------------------| |
|-----------------------------------|-
(Note: every note is play as sixteenth notes.)
(3:50)
Guitar1
|-----------------------------------------|
|-----------8-----------------------------|
|--7-9-10-9---10-9-10-9-7-----------------|
|---7-7--7-7-7--7-7-----------------------|
|-----------------------------------------|
|-----------------------------------------|
Guitar1
|-----------------------------------------|
|-----------8------10---------------------|
|--7-9-10-9---10-9------------------------|
|---7-7--7-7-7--7-7-----------------------|
|-----------------------------------------|
|-----------------------------------------|
(4:00)
Guitar1
|--------------------------|-
|-----------8--------------| |
|--7-9-10-9---10-9-10-9-7--| |
|---7-7--7-7-7--7-7--------| |
|--------------------------| |
|--------------------------| |
|
|--------------------------| |
|-----------8------10------| |
|--7-9-10-9---10-9---------| |
|---7-7--7-7-7--7-7--------| |
|--------------------------| |
|--------------------------| |
|-Syc. 3x
|
Guitar2 |
|--------------------------| |
|--------------------------| |
|--977-977-97-977-977-97---| |
|--------------------------| |
|--------------------------| |
|--------------------------| |
|
|--------------------------| |
|--------------------------| |
|--977-977-97-977-977-97---| |
|--------------------------| |
|--------------------------| |
|--------------------------|-
Comments? MeeCexii@hotmail.com
Brought to you by the GUITARMASTA - http://www.guitarmasta.net
http://www.guitarmasta.net/i/interpol/.html
Tab Discussion, Comments, and Critiques
|
No Picture
Jay Rhythm Player |
#1 by Jay B at Feb 22, 1971 at 7:33 AM EST |
| i don't completely understand the interpol/joy division connection myself. i don't think paul sounds anything like ian - ian's sort of muffled, paul sounds more like a robot...in perfectly good ways, both of them... | |
|
No Picture
Nikola Rhythm Player |
#2 by Nikola Supukovic at Jun 9, 1971 at 8:38 PM EST |
| By Ian you mean Paul, right? | |
|
No Picture
Connor Average |
#3 by Connor Larkin at Feb 22, 1973 at 12:24 AM EST |
| i am sorry, i don't know how to make a new lyrics page altogether, but the above lyrics have some mistakes. these lyrics are from interpol's official website. you can view the lyrics in the discography section. they are... if time is my vessel, then learning to love might be my way back to sea the flying, the metal, the turning above - these are just ways to be seen we all get paid some get faith before they die then through stars we will navigate through the holes in your eyes how many days will it take to land? how many ways to reach abandon? swoon, baby, starry nights may our bodies remain you move with me i'll feed you light may our bodies remain there is love to be made so, just stay here for this while perhaps heartstrings resuscitate the fading sounds of your life swoon, baby, starry nights may our bodies remain as deep we move i'll feed you light may our bodies remain in history i'll treat you right i'm honest that way | |
|
No Picture
Oliver Average |
#4 by Oliver Russ at Apr 16, 1976 at 5:50 PM EST |
| This song is about sex as the ultimate expression of being alive. It's awesome! | |
|
No Picture
chris Rhythm Player |
#5 by chris benoit at Dec 12, 1981 at 3:39 PM EST |
| The comparison between Paul and Ian is bullshit, completely. Interpol = the most important band out of America in years. | |
|
No Picture
jake Average |
#6 by jake gonzales at Dec 2, 1986 at 10:57 PM EST |
| perfect song. i love the 20 seconds in the middle where it rocks out. my fave part of Antics actually. | |
|
No Picture
Em Average |
#7 by Em at Sep 2, 1989 at 1:26 PM EST |
| Not only is this the best titled song on Antics, I'd say it's one of the best overall. | |
|
No Picture
Syco Shawn (Jug Wanna Be |
#8 by Syco Shawn (Juggalo) at Jan 2, 1996 at 12:58 AM EST |
| Yeah, the singer's name is Paul Banks... :-P | |
|
No Picture
Sam Rhythm Player |
#9 by Sam Zaccone at Jan 15, 2001 at 5:35 AM EST |
| possibly realizing that he loved a girl and he should have treated her better. he wants her back. he is trying to change and allow himself to love someone. he keeps thinking about this one girl | |
Popular Guitar Tabs