Blue Sky Mining Tabs:
- Blue Sky Mine
- Bedlam Bridge
- King Of The Mountain »
- River Runs Red
- Shakers And Movers
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Subject: Midnight Oil
To: jamesb@animal-farm.nevada.edu
Date: Tue, 16 Mar 93 8:23:16 EET
X-Mailer: ELM [version 2.3 PL0]
King Of The Mountain - Midnight Oil
Intro:
B-----5---5---5---5-/---5---5---5---5-/---5---5---5---5------|
G---6---6---6---6---/-6---6---6---6---/-5---5---5---5--------|
D-------------------/-----------------/----------------------|
B-----5---5---5---5-/---5---5---5---5-/---5---5---5---5------|
G---4---4---4---4---/-4---4---4---4---/-3---3---3---3--------|
D-------------------/-----------------/----------------------|
B-----5---5---5---5-/--------1--------/-------1--1--1--1-----|
G---2---2---2---2---/----2-------2----/-------2--2--2--2-----|
D-------------------/-0--------------2/-------0--0--0--0-----|
A-------------------/-----------------/----------------------|
E-------------------/-----------------/--0-------------------|
Verse:
E A E D
Walking through the high dry grass
D E A D A
Pushing my way though slow
E A E D
Yellow belly black snake sleeping on a red rock
E A D A
waiting for the stranger to go
E A E D
Sugar train stops at the crossing
D E A D A
Cane cockies cursing below
A E A E D E A D A
Bad storm coming. Better run to the top of the mountain
Chorus:
E A F#m D A
Mountain in the shadow of light
E A F#m D A E A F#m D A
Rain In the valley below mountain in the shadow of light
E A F#m D E A F#m D A
Rain well you can Say you're Peter say you're Paul
E A F#m D A
Don't put me up on your bedroom wall
E A F#m D A E A E D E A D A
Call me King of the mountain
Verse:
E A E D
Blacksmith fires up the bellows
D E A D A
Cane cutters burning to load
E A E D E A D A
Workers of the world run to the top of the mountain
Chorus:
Bridge:
C#m E
I can't take the hands from my face
F#sus F# F#m D7
There are some things we can't replace
Chorus:
Verse:
Over liquid tarmac wastelands of cactus and heat
E A F#m D A
Down cobble stone alleyways of washing sheets
A E A F#m D A
Up ghost prairie mountains of sunset and space
E A F#m D A
Down the road a familliar face
E A F#m D A
Across the wilderness Out further than the bush
E A
I will follow you
F#m D A E A
I will follow you
F#m D A E A F#m D A
I will follow you
B----5---5---5---5-/---5---5---5---5-/---5---5---5---5-/---5---5---5---5-|
G--6---6---6---6---/-5---5---5---5---/-4---4---4---4---/-3---3---3---3---|
B----5---5---5---5-/---5---5---5---5-/---5---5---5---5-/---5---5---5---5-|
G--4---4---4---4---/-5---5---5---5---/-6---6---6---6---/-3---3---3---3---|
E---0--------------/
B---0--------------/
G------------------/
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Tab Discussion, Comments, and Critiques
|
No Picture
Toni Average |
#1 by Toni at Apr 24, 1973 at 11:02 AM EST |
| My favourite Oils song. This song reminds of just being part of this wonderful country, the Australian summer and for some reason, cricket. | |
|
No Picture
eric was here Professional Badass |
#2 by eric was here at Aug 9, 1973 at 2:08 AM EST |
| Yep, it's about Aussie racing legend Peter Brock. The mountain referred to is Mount Panarama in Bathurst and the valley refers to Maquarie River Valley. | |
|
No Picture
GRIM Professional |
#3 by GRIM at Aug 31, 1992 at 2:15 AM EST |
| I think this song was designed to work on two very different levels. One is the story of Peter Brock, an Australian ‘working class hero’, and a description of a Bathurst race at Mt Panorama. Peter Brock, repeat winner of the race, is the King of the Mountain. A second but deeper level relates to a common theme in Midnight Oil’s lyrics, the plight of the marginalised Australian Aborigines. In this story, the King and the mountain relates to the Aboriginal people, rightful owners of the land, and the moral high ground respectively. The first verse is a description of the environment around Mt Panorama during Bathurst, and the people rushing through crowds to find a viewpoint for the event Walking through the high dry grass, pushing my way through slow *(evokes images of an aboriginal bushman walking through the Australian grassland, quietly, peacefully and in harmony with the land) Yellow belly black snake, sleeping on a red rock *(aboriginal flag) *(this is the key link to understanding the secondary story.) Waiting for the stranger to go *(the aboriginal man is submissive to the new white faces, and waits patiently for them to go) Sugar train stops at the crossing *(The aboriginal people witness the white man not only staying, but establishing roots to the land, developing industry and taking complete control without any regard for the natives.) cane cockies cursing below *(Cane cutters/ farmers) *(white man thinking about his own problems and ignoring the fact they are occupying the aboriginals land.) Bad storm coming, better run to the top of the mountain *(the aboriginals intuition about the land which was developed and refined over many centuries, has to be adapted in a very short amount of time to cope with new problems.) *(Run to the top of the mountain- Find your deserved pride during this ‘bad storm’- time of moral injustice.) The Pre-Chorus appears to be about the mountain (Mt. Panorama) and the valley below (Macquarie River Valley.) A Bathurst race is notorious for having different weather conditions on different parts of the track at the same time, as a result of the unusual topography. Peter Brock was also known as Paul, and is also referred to whilst linking the themes. Mountain in the shadow of light, rain in the valley below *(The mountain is the moral high ground. It is casting a shadow over the consciences of the wrongdoers in the moral valley below. The moral high ground is occupied by the aboriginal land owners, the moral vacuum by the white men who stole their land.) Well you can say you're Peter, say you're Paul *(White man’s names)- aboriginal person saying ‘I don’t give a shit who you are’ Don't put me up on your bedroom wall, *(think of westerners vanity, desire for fame and money and idolisation of celebrity) ‘we don’t need your materialistic bullshit’ call me the king of the mountain *(reference to Peter Brock, who is a white mans idol- on posters and up on bedroom walls) ‘We were here first, in my heart I know we are the real owners of the land’ (Kings are land owners.) Blacksmith fires up the bellows, cane cutters burning the load (back to methodical western routine and industry, but gives more of an impression of raping the land of its resources with words like burning) Workers of the world, run to the top of the mountain *(seems like Garret is linking the plight of the aboriginal peoples to the struggles the worlds working classes face with imperialism, colonisation etc.- They have also had to adapt quickly -to things like globalization etc. They rightfully deserve the moral high ground.) I can't take my hands from my face, there are some things we can't replace *(aboriginal person in agony at the thought of his land being taken and scarred in ways that will never be able to return to the way they were before.) Over liquid tarmac wastelands of cactus and heat Down cobblestone alleyways of washing day sheets. Up ghost prairie mountains of sunset and space. Down the road at a familiar place, across the wilderness. Out further than the bush *(a description of the Australian landscape and the new environments created by the settlers in Australia) I will follow you *(Peter Garret saying he will follow the aboriginal people as king of the mountain, true owners and keepers of the Australian land.) | |
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No Picture
phil Average |
#4 by phil gdfgr at Oct 2, 2000 at 10:56 AM EST |
| I agree with ACE 22, though it does make me think of ol' 05. The King of the Mountain | |
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