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Song: Solve Et Coagula
Artist: Mudvayne
Album: The End of All Things to Come
Tabbed by: Christian / silent_warrior_@hotmail.com
- Slide down
/ - Slide up
PM - Palm mute
h - Hammer on
p - Pull off
Tuning: C G C F A D
Intro
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-13--13-13-13-13-13-13-13-13-13-13--10--10-10-10-10-10--9--9-9-9-9-9-| x4
|-12--12-12-12-12-12-12-12-12-12-12---9---9--9--9--9--9--8--8-8-8-8-8-|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-------------------------------|
|-------------------------------|
|-------------------------------| x8
|-------------------------------|
|-------------------------------|
|-3-3-3-0--2-2-2-2-0--2-2-2-2-0-|
Verse
|------------------------------------------------------------|
|------------------------------------------------------------|
|----------5/7-----------5/7-7-----------5/7-----------87-7-| x2
|-2-1-0-0-------2-1-0-0---------2-1-0-0-------2-1-0-0--------|
|-2-1-0-0--3/5--2-1-0-0--3/5-5--2-1-0-0--3/5--2-1-0-0--65-5-|
|-2-1-0-0-------2-1-0-0---------2-1-0-0-------2-1-0-0--------|
PM- - - - - - - - - - - - - - - -
Fill
|-----------------------------------|
|-----------------------------------|
|-----------------------------------| x1
|-0--0--0--0-0-0--0--0--0--0--0-0-0-|
|-0--0--0--0-0-0--0--0--0--0--0-0-0-|
|-0--0--0--0-0-0--0--0--0--0--0-0-0-|
Verse
|------------------------------------------------------------|
|------------------------------------------------------------|
|----------5/7-----------5/7-7-----------5/7-----------87-7-| x1
|-2-1-0-0-------2-1-0-0---------2-1-0-0-------2-1-0-0--------|
|-2-1-0-0--3/5--2-1-0-0--3/5-5--2-1-0-0--3/5--2-1-0-0--65-5-|
|-2-1-0-0-------2-1-0-0---------2-1-0-0-------2-1-0-0--------|
PM- - - - - - - - - - - - - - - -
Chorus
|-------------------------------|
|-------------------------------|
|-------------------------------| x8
|-------------------------------|
|-------------------------------|
|-3-3-3-0--2-2-2-2-0--2-2-2-2-0-|
Verse
|------------------------------------------------------------|
|------------------------------------------------------------|
|----------5/7-----------5/7-7-----------5/7-----------87-7-| x2
|-2-1-0-0-------2-1-0-0---------2-1-0-0-------2-1-0-0--------|
|-2-1-0-0--3/5--2-1-0-0--3/5-5--2-1-0-0--3/5--2-1-0-0--65-5-|
|-2-1-0-0-------2-1-0-0---------2-1-0-0-------2-1-0-0--------|
PM- - - - - - - - - - - - - - - -
Fill
|-----------------------------------|
|-----------------------------------|
|-----------------------------------| x1
|-0--0--0--0-0-0--0--0--0--0--0-0-0-|
|-0--0--0--0-0-0--0--0--0--0--0-0-0-|
|-0--0--0--0-0-0--0--0--0--0--0-0-0-|
Verse
|------------------------------------------------------------|
|------------------------------------------------------------|
|----------5/7-----------5/7-7-----------5/7-----------87-7-| x1
|-2-1-0-0-------2-1-0-0---------2-1-0-0-------2-1-0-0--------|
|-2-1-0-0--3/5--2-1-0-0--3/5-5--2-1-0-0--3/5--2-1-0-0--65-5-|
|-2-1-0-0-------2-1-0-0---------2-1-0-0-------2-1-0-0--------|
PM- - - - - - - - - - - - - - - -
Chorus
|-------------------------------|
|-------------------------------|
|-------------------------------| x8
|-------------------------------|
|-------------------------------|
|-3-3-3-0--2-2-2-2-0--2-2-2-2-0-|
Bridge
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------| x2
|-----------------------------------------------------------------|
|-5-----------5-----------5---------------5---------------5-------|
|---3p2p0h2h3---3p2p0h2h3---3p2p0-3-3-3-3---3-3-3-2-2-2-2---2-2-2-|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-13--13-13-13-13-13-13-13-13-13-13--10--10-10-10-10-10--9--9-9-9-9-9-| x3
|-12--12-12-12-12-12-12-12-12-12-12---9---9--9--9--9--9--8--8-8-8-8-8-|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------5-5-5-5-5-5-4-4-4-4-4-4-| x1
|---------------------------------3-3-3-3-3-3-2-2-2-2-2-2-|
|-5-----------5-----------5-------3-3-3-3-3-3-2-2-2-2-2-2-|
|---3p2p0h2h3---3p2p0h2h3---3p2p0-3-3-3-3-3-3-2-2-2-2-2-2-|
|----------------------------------------------------------|
|----------------------------------------------------------|
|--------------------------------------------------------5-| x1
|----------------------------------0-0-0h32-0--0--0-0-0---|
|-5-----------5-----------5--------0-0-0h32-0--0--0-0-0-3-|
|---3p2p0h2h3---3p2p0h2h3---3p2p0--0-0-0h32-0--0--0-0-0---|
PM - -
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------5-5-5-5-5-5-4-4-4-4-4-4-| x1
|---------------------------------3-3-3-3-3-3-2-2-2-2-2-2-|
|-5-----------5-----------5-------3-3-3-3-3-3-2-2-2-2-2-2-|
|---3p2p0h2h3---3p2p0h2h3---3p2p0-3-3-3-3-3-3-2-2-2-2-2-2-|
Gradually release PM
|---------------------------------|
|---------------------------------|
|---------------------------------| x4
|-3-3-3-0-0-0-2-2-2-0-0-0-2-2-3-3-|
|-3-3-3-0-0-0-2-2-2-0-0-0-2-2-3-3-|
|-3-3-3-0-0-0-2-2-2-0-0-0-2-2-3-3-|
PM- - - - - - - - - - - - - - - -
Outro
|-------------------------------|
|-------------------------------|
|-------------------------------| x8
|-------------------------------|
|-------------------------------|
|-3-3-3-0--2-2-2-2-0--2-2-2-2-0-|
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Tab Discussion, Comments, and Critiques
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No Picture
SOCIETY DWELLIN Average |
#1 by SOCIETY DWELLIN MOTHER FUCKER! at Oct 30, 1979 at 4:31 AM EST |
| I agree with sporgalish but differ in thought process. I've come to believe (from my experiences with Salvia Divinorum) that the Universe isn't constantly being "technically" destroyed but constantly being folded upon itself, like an enormous rolodex or something, and eventually over time it returns to the beginning. But everytime it gets back to the starting point it's slightly distorted and/or different because it's worn out from the pressure of itself being compacted upon itself. OK now I've some how confused myself which is understandable because Salvia creates some of the most amazing but confusing thoughts I've ever comprehended. | |
|
No Picture
Badass |
#2 by Nirvana at Feb 8, 1996 at 11:16 PM EST |
| the best riff in this song is right after he screams, "bleed all the lives of life, ascend into the sky". i wish there was more to that! anyway, i agree the meaning has to do more with secularity (i think i just made that word up) and almost mocks the idea of genocide. | |
|
No Picture
Dan Average |
#3 by Dan Johnson at Mar 13, 1997 at 9:06 AM EST |
| I think this song is based on a theory from (I can't think of his name sorry) that the universe is constantly being destroyed and recreated. All energy gets converted to heat, burning the universe into ashes and starting all over again, hence all the references to fire. If anyone knows the philosopher I am thinking of or the name of the theory I am thinking of please help me out. I learned it last year in physics and it really changed my perspective on this song | |
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