Rodrigo Villanueva
Lima - Peru
yoyo_v89@hotmail.com
Drop D# Tuning
Intro
e/---------------------------------------|
b/---------------------------------------|
g/---------2-33-2-33-2-------2-33-2-33-2-|
D/---5555---------------5555-------------|
A/---5555---------------5555-------------|
D#/--4444---------------4444-------------|
e/---------------------------------------------|
b/---------------------------------------------|
g/---------2-33-2-33-2-------2-33-2-3-5-3-2-3--|
D/---1111---------------1111-------------------|
A/---1111---------------1111-------------------|
D#/--0000---------------0000-------------------|
Verse (00:12) (x2) (not exactly but arpeggiating this notes)
e/--------------------------------------------------------------|
b/--------------------------------------------------------------|
g/----0---10----0----0---10----0----0---10----0----0---10----0--|
D/-----0----0---------0----0---------0----0---------0----0------|
A/---8--8-----8-----8--8-----8-----8--8-----8-----8--8-----8----|
D#/-------------------------------------------------------------|
e/-----------------------------------------------------------|
b/-----------------------------------------------------------|
g/----0---8----0----0---8----0----0---8----0----0---8----0---|
D/-----0---0---------0---0---------0---0---------0---0-------|
A/---6--6----6-----6--6----6-----6--6----6-----6--6----6-----|
D#/----------------------------------------------------------|
Chorus (00:36)
e/-----------------------------------------|
b/-----------------------------------------|
g/-----------------------------------2h3p2-|
D/---5-------3-------1-------3-------------|
A/---5(x12)--3(x12)--1(x12)--3(x12)--------|
D#/--4-------2-------0-------2-------------|
e/-----------------------------------------|
b/-----------------------------------------|
g/-----------------------------------2h3p2-|
D/---5-------3-------1-------3-------------|
A/---5(x12)--3(x12)--1(x12)--3(x12)--------|
D#/--4-------2-------0-------2-------------|
Pre Verse (Intro) (01:00)
e/---------------------------------------|
b/---------------------------------------|
g/---------2-33-2-33-2-------2-33-2-33-2-|
D/---5555---------------5555-------------|
A/---5555---------------5555-------------|
D#/--4444---------------4444-------------|
e/---------------------------------------------|
b/---------------------------------------------|
g/---------2-33-2-33-2-------2-33-2-3-5-3-2-3--|
D/---1111---------------1111-------------------|
A/---1111---------------1111-------------------|
D#/--0000---------------0000-------------------|
Verse (01:12) (x3)
e/--------------------------------------------------------------|
b/--------------------------------------------------------------|
g/----0---10----0----0---10----0----0---10----0----0---10----0--|
D/-----0----0---------0----0---------0----0---------0----0------|
A/---8--8-----8-----8--8-----8-----8--8-----8-----8--8-----8----|
D#/-------------------------------------------------------------|
e/-----------------------------------------------------------|
b/-----------------------------------------------------------|
g/----0---8----0----0---8----0----0---8----0----0---8----0---|
D/-----0---0---------0---0---------0---0---------0---0-------|
A/---6--6----6-----6--6----6-----6--6----6-----6--6----6-----|
D#/----------------------------------------------------------|
Chorus (01:48)
e/-----------------------------------------|
b/-----------------------------------------|
g/-----------------------------------2h3p2-|
D/---5-------3-------1-------3-------------|
A/---5(x12)--3(x12)--1(x12)--3(x12)--------|
D#/--4-------2-------0-------2-------------|
e/-----------------------------------------|
b/-----------------------------------------|
g/-----------------------------------2h3p2-|
D/---5-------3-------1-------2-------------|
A/---5(x12)--3(x12)--1(x12)--2(x12)--------|
D#/--4-------2-------0-------3-------------|
Intro (x2) (02:12)
Bridge (02:36)
e/-----------------------------------------|
b/-----------------------------------------|
g/--------7---------7---------7---------7--|
D/---5555-5--555555-5--555555-5--555555-5--|
A/---5555-5--555555-5--555555-5--555555-5--|
D#/--4444-x--444444-x--444444-x--444444-x--|
e/-------------------------------------------------------------|
b/-------------------------------------------------------------|
g/-------7-------7------5-------5------3-------3------3------5-|
D/---555-5--5555-5--333-3--3333-3--111-1--1111-1--111-1--333-3-|
A/---555-5--5555-5--333-3--3333-3--111-1--1111-1--111-1--333-3-|
D#/--444-x--4444-x--222-x--2222-x--000-x--0000-x--000-x--222-x-|
e/-------------------------------------------------------------|
b/-------------------------------------------------------------|
g/-------7-------7------5-------5------3-------3------3------5-|
D/---555-5--5555-5--333-3--3333-3--111-1--1111-1--111-1--333-3-|
A/---555-5--5555-5--333-3--3333-3--111-1--1111-1--111-1--333-3-|
D#/--444-x--4444-x--222-x--2222-x--000-x--0000-x--000-x--222-x-|
e/------------|
b/---2h3p2h3--|
g/------------|
D/------------|
A/------------|
D#/-----------|
that's all ! rate please..
Tab Discussion, Comments, and Critiques
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Sam Average |
#1 by Sam at Sep 30, 2007 at 1:14 AM EST |
| they had the music written, but then anthony quit... damnit.. | |
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Nikola Rhythm Player |
#2 by Nikola Supukovic at Sep 30, 2007 at 10:00 AM EST |
| Which is also a great singer/lyricst. He doesn't sound to much more different from anthony either. Love them non the less. | |
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Goat Average |
#3 by Goat Screwer at Sep 30, 2007 at 5:48 PM EST |
| you guys dont have the right lyrics its: oh start send me grieves, and before breathing, i have your voice on tape in a southern accent screaming at me i was only one and we werent prepared for people screaming know things look lovely to you holding back now and forever sweetheart know things look lovely holding for midnight and i deny you were walking so peculiar like you were lost in somebody else/standby(still so deadly) sweet penance for the sound, it might explode in our hands im falling in a brown pigmentation of where the elemnt marks cut short time and then stop, ive been watching roads giving in i then started savoring sound i been watching roads give in to it severing the ties between mother and son o i once saw many place the end, i promised the world and a dozen roses | |
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health risk Rhythm Player |
#4 by health risk at Oct 2, 2007 at 1:26 PM EST |
| i think anthony is much better in Circa Survive...they have a much better sound than saosin....but i love anthony green in any band | |
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Brandon Average |
#5 by Brandon Weathers at Oct 2, 2007 at 9:00 PM EST |
| good stuff | |
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Derek Average |
#6 by Derek Mayfield at Oct 3, 2007 at 1:25 AM EST |
| ok no one really knows the lyrics bc the song book says something totally different. if you bought the ep you would know. also, ant is always coked up when he writes so the song prbably doesnt mean anything. | |
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Chase Wanna Be |
#7 by Chase Hendrix at Oct 4, 2007 at 1:56 AM EST |
| anthonys a lyrical and musical god. but saosin is good even without him. is he in the sound of animals fighting? i thinkso but dont know. | |
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Shreder Dude Wanna Be |
#8 by Shreder Dude at Oct 4, 2007 at 11:18 PM EST |
| i'm sure its about an pregnancy and anthony's (or whoever the father is) take on the whole thing. the "saving green" and "i was only one" lines are about him saving money for an unborn child, but he was the one who was going to support it financially (i.e. he is the only one who had a job). the chorus is him saying either to himself or the female that "things look fine for you cuz u have the easy part of just spending time with the kid, while i'm the one working my ass off to give u money to give u that peace of mind, but i won't say anything for the sake of the child and us ("holding back, now and forever")." the "your walking so peculiar" line is i'm guessing about the girl walking around while she's pregnant (u know, that waddle pregnant females have at the end of their pregnancies :-p) and her trying to hide her belly cuz she thinks she's getting fat and unnattractive ("like you had something to hide"). i interperet "still so deadly" as the girl's moodswings and the hurtful things she says too anthony while she's pregnant (cuz we all know how pregnant chix get so damn emotional and say shit without thinking, its even worse during pregnancy). "sweet penance for a sound" to me is the girl giving birth to the child, the sound is the baby's crying. "it might explode in our hands" is the problems they'll face with the child as it grows if they don't raise it right. the "brown pigmentation" verse is the final moments of labor, "savoring the sound" are the parents hearing the first sound of their child as he leaves the womb. "severing the ties between mother and son" is umbilical cord being cut. the last line is what anthony had been through in the past and him trying to make things right | |
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Average |
#9 by Fig at Oct 5, 2007 at 8:31 AM EST |
| this is such a great song.. i forgot to say before that anthony is one of my favoirte singers/lyricist (even if most of the stuff on songmeanings is wrong) think the end of this song is right though, anyone know were you can get the real lyrics? but i think he says 'yellow' instead of 'element' and it makes alot more sense that way | |
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MelissA Average |
#10 by MelissA at Oct 5, 2007 at 4:12 PM EST |
| whoops for got the last line: I once saw many places, I promised the world and a dozen roses.(x2) | |
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Francis Average |
#11 by Francis Delongchamp at Oct 6, 2007 at 12:12 AM EST |
| They didn't break up.. they have Cove singing now | |
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David Average |
#12 by David Turner at Oct 7, 2007 at 9:16 AM EST |
| I think the song is about how our world has deteriorated and became a waste and how it could have been. | |
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Chris Badass |
#13 by Chris Phillips at Oct 9, 2007 at 9:43 PM EST |
| i love the line "sweet penance for this sound it might explode in our hands" | |
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jim Professional |
#14 by jim d.f at Oct 10, 2007 at 2:30 PM EST |
| I wish they'd come out with a full-length. I'm sure they are, but i dont know when. Hmph. | |
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daint Rhythm Player |
#15 by daint at Oct 11, 2007 at 3:46 PM EST |
| Well, all Ive got to say is SAOSINS at WARPED TOUR this year!!!! and Im soooo going.....anyways, I myself sorta feel the whole broken home image on this song. The parents weren't ready for a kid, both financially and emotionally, and the dad is a jerk that screams at the kids in a southern accent. Thats my take | |
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Bloody Mess All Musical Thunder |
#16 by Bloody Mess All Over My Clothes at Oct 11, 2007 at 9:34 PM EST |
| Anthony should have gotten clean. Herione is a bitch. I think Anthony puts more of a twist to his words but i deffinately dig the new Sin....i cant stand that penelope song though. | |
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Basstard Professional |
#17 by Basstard at Oct 14, 2007 at 5:43 AM EST |
| this song is definitley about a girl getting pregnant. | |
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John Wanna Be |
#18 by John Agopian at Oct 14, 2007 at 10:11 AM EST |
| this is straight from the saosin website... started saving green and before breathing I have your voice on tape in a southern accent screaming at me I was only one and we were weren’t prepared for one (I have your voice on tape in a southern accent screaming at me) So we started saving green before breathing Know things look lovely to you Holding back, now and forever sweetheart know things look lovely lonely boy (?), it’s midnight and I’ll deny You were walking so peculiar like you had something to hide (x2) Sweet penance for this sound- it might explode in our hands Bordered in a brown pigmentation were The element lines cut short, turned in and stopped I was watching rose give in and that’s when I started savoring the sound I was watching rose give in to it severing the ties between mother and son(x2) Know things look lovely to you Holding back, now and forever sweetheart know things look lovely lonely boy(?), it’s midnight and I’ll deny You were walking so peculiar like you had something to hide (x2) Sweet penance for this sound- it might explode in our hand (it might explode) | |
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nick Wanna Be |
#19 by nick at Oct 14, 2007 at 7:08 PM EST |
| ^^ ya. me to | |
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Jordan Wanna Be |
#20 by Jordan Ivory-Marcotte at Oct 15, 2007 at 11:26 AM EST |
| ^samalamajamjam: You got this down don't ya? "Know things look lovely to you Holding back, now and forever sweetheart know things look lovely lonely boy, it’s midnight and I’ll deny " I hear "long before" instead of "lonely boy." Anyone else think so? | |
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kewl Wanna Be |
#21 by kewl dude at Oct 15, 2007 at 12:07 PM EST |
| Which is also a great singer/lyricst. He doesn't sound to much more different from anthony either. Love them non the less. | |
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blake Average |
#22 by blake pratt at Oct 18, 2007 at 8:19 AM EST |
| i think they broke up | |
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Lee Professional Badass |
#23 by Lee the bass player, known as blacktooth90™ at Oct 18, 2007 at 12:20 PM EST |
| ok this is wat i get. I’ll start saving green and before breathing We have your voice on tape in your southern accent, screaming at me I was only one and we weren’t prepared for one Paid to have your voice on tape in your southern accent, screaming at me Now things look lovely to you Holding back, now and forever, sweetheart Now things look lovely Long before midnight and I’ll deny You were walking so peculiar like you had something to hide [Still so deadly] (x2) Sweet penance for a sound- it might explode in our hands Embroidered in a brown pigmentation are Burning under-parts, cut short, turned in and stopped I’ve been watching rose give in and as we started savoring sound I’ve been watching rose give in to it, severing the tie between mother and son (x2) Now things look lovely to you Holding back, now and forever, sweetheart Now things look lovely Long before midnight and I’ll deny You were walking so peculiar like you had something to hide [Still so deadly] (x2) Sweet penance for a sound- it might explode in our hands [It might explode] (x2) Oh I once saw many place the oath, I promised the world with a dozen roses. (x2) ok the beginning lyrics are all explained well in the other posts and it is definitely about a girl being pregnant..but the part: Now things look lovely to you Holding back, now and forever, sweetheart Now things look lovely Long before midnight and I’ll deny first of all..putting "know" at the start of the lyrics doesnt even make sense..its clearly now. and i agree with soop with the long before because its another reference to the catholic religion..when jesus tells peter that he will deny him 3 times before midnight. and the end of the song "Oh I once saw many place the oath, I promised the world with a dozen roses." hes saying that many people place the "oath" of becoming a father and that he wants to give his son the world and uses "a dozen roses" as a metaphoric gift of the world. | |
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Avinash Average |
#24 by Avinash Dutta at Oct 18, 2007 at 10:19 PM EST |
| listen to the song while you read the lyrics. saosin is coming out with a full length but with a new singer. the lyrics are different but i think the music is the same. Over ascending greens and before breathing We have your voice on tape in a southern accent, screaming at me I was only one and we weren't paid for before breathing We have your voice on tape in a southern accent, screaming at me Know things look lovely to you Holding back, now and forever sweetheart Things look lovely Lonely boy, it's midnight and I'll deny You were walking so peculiar like you had something to hide Still so deadly You were walking so peculiar like you had something to hide Still so deadly Sweet penance for this sound It might explode in our hands You wandered in a brown pigmentation Where the element lines cut short, turned in and stopped I've been watching rose give in As we started savouring sound I've been watching rose give in to it, severing the ties between mother and son I've been watching rose give in to it, severing the ties between mother and son Know things look lovely to you Holding back, now and forever sweetheart Things look lovely Lonely boy, it's midnight and I'll deny You were walking so peculiar like you had something to hide Still so deadly You were walking so peculiar like you had something to hide Still so deadly Sweet penance for this sound It might explode in our hands It might explode Sweet penance for this sound It might explode in our hands It might explode Oh I once saw many places I promised the world and a dozen roses Oh I once saw many places I promised the world and a dozen roses | |
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SLUT Badass |
#25 by SLUT at Oct 19, 2007 at 3:19 PM EST |
| does anyone have any ideas on what this song means? i think the beginning's about saving money for his unborn child "i was only one and we weren't prepared for one" but the "bordered in brown pigmentation the yellow lines cut short, turned in then stopped" i'm lost haha | |
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