#-----------------------------------PLEASE NOTE------------------------------#
# This file is the author's own work and represents their interpretation #
# of the song. The owner of this website has not reviewed the contents of #
# this file. If you feel that the content of this file may be violating #
# copyright law, you may not use the information displayed here in any way. #
#----------------------------------------------------------------------------#
"This is just the intro part to the Song..its fast but pretty simple.
i'm just not to sure about the open string..but i want reponses! "
"Transcribed By: Robert Harris"
"robsenz@hotmail.com"
Gtr I
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
|-----6------4------2----------------6-----4-----2------------/7p6----|
|-2h4----2h4----2h4----4p0h2h4---2h4---2h4---2h4---4p0h2h4---------7--|
|---------------------------------------------------------------------|
|---------------------------------------------------------------------|
|---------------------------------------------------------------------|
|---------------------------------------------------------------------|
E E E E E E E E
|-7p6-------------------|
|-----4-2---2-4p2h=7----|
|-----------------------|
|-----------------------|
|-----------------------|
|-----------------------|
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
n/ - tremolo bar dip; n = amount to dip
n - tremolo bar down
n/ - tremolo bar up
/n - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - <E/E./Q/Q./H/H.> = BPM(8/16=s8/s16),
where s8 = swing 8ths, s16 = swing 16ths
Brought to you by the GUITARMASTA - http://www.guitarmasta.net
|
No Picture
Jimmy "Hoffa" Average |
#1 by Jimmy "Hoffa" at Feb 24, 1977 at 2:19 PM EST |
| As theotherness mentioned this song is dedicated to all Soilwork Fans. The song is about the appreciation that people have for music, and how no matter what they go through, music will always help them overcome it. "Bleeding, aching, bleeding, aching bleeding for nothing for we've seen it all" = In the end, everyone goes through the same thing but there is no point in doing something stupid like commiting suicide or hurting another person because you are only going to hurting yourself. Song of the damned is just a realistic point of view of life. The hell that some people have to go through is a tragic thing and Soilwork are making a statement that their music will always be there, no matter how many people listen to them or not. | |
|
No Picture
Matt Wanna Be |
#2 by Matt Sakrosky at Feb 17, 1978 at 6:44 PM EST |
| Obviously, this song is a tribute to "the damned" - Soilwork fans all over the world. Sort of a big "thank you." YOU'RE WELCOME! | |
|
No Picture
Klint Average |
#3 by Klint flowers at Sep 9, 1988 at 3:24 AM EST |
| this song is so beautiful and explosive in the most perfect combination ever, it just flows together. the intro blows me away everytime i hear it. very poetic lyrics too.. | |
|
No Picture
A.K.A. Steven Average |
#4 by A.K.A. Steven Stelacio at Mar 3, 1989 at 2:42 PM EST |
| theotherness put it best...Soilwork is a band that is thankful and loyal to their fans. This is my favorite Soilwork song. | |
|
No Picture
Eric Average |
#5 by Eric Phillips at May 11, 1991 at 10:06 PM EST |
| I agree with Undignifiedromance. It is a realistc, "no-bullshit" point of view on life. "Cause we're only listening with one ear now" - A metaphor for life. Listening with one ear symbolises living "half heartedly" or on the edge. "Live for the moment, get killed for the thrill." This is saying how people must live life for what it is and not do anything stupid. And going right back to the start of these comments, I agree with theotherness; this is a tribute to the fans of Soilwork and it is letting those fans know how Soilwork will always be there, with its music, to remind people how important life is. | |
|
No Picture
Phillip Wanna Be |
#6 by Phillip Doucette at May 21, 1995 at 2:33 AM EST |
| Agreed' all the way! | |
|
No Picture
julius Average |
#7 by julius vaisanen at Mar 26, 2004 at 8:40 PM EST |
| By the power invested in me by God and his many clones, I pronounce that this song rules. YAY! | |