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#----------------------------------------------------------------------------#
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SO STRANGE I REMEMBER YOU - Thrice
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By: Marcel(dupsidolittle@hotmail.com)
DROP C# TUNING!
~ - let ring out
... - palm mute
/ - slide
h - hammer on
p - pull off
? - I'm lost
6x
4x - mute after strumming
4x
Intro:
D#|-------------------------------------------------------------------------|
A#|------------------------------------------------------10-----------------|
F#|----------6---6h7p6-------------6---6h7p6---6h7-9-6h7----9-6h7p6---------|
C#|--------7---7-------7~--------7---7-------7----------------------7~------|
G#|----7/9-------------------7h9--------------------------------------------|
C#|0~------------------------0----------------------------------------------|
Intro Cont'd:
D#|-------------------------------------------------------------------------|
A#|-------------------------------------------------------------------------|
F#|-------------------------------------------------------------------------|
C#|6-6h7p6-4-6------6-----4-------4h6p4---------6-----7------7-7h9p7-6-7----|
G#|---------------5-----5---5---5-------5/7---4---4------4------------------|
C#|------------0~-----0-------0-------------4-------4------4----------------|
Intro Cont'd:
D#|-------------------------------------------------------------------------|
A#|-------------------------------------------------------------------------|
F#|----------------------------------------------9--------------------------|
C#|----6-----4-------7-------------7-----9-----9-9h11p9-7/9-----6-----4-----|
G#|--5---5-----5---9---7h9p7-4---4---------7------------------5---5-----5---|
C#|0-------0-----0-------------4-----4/6-----6--------------0-------0-----0-|
Intro Cont'd:
D#|---5----------------------------------------------------------------------|
A#|/7-7-5h7p5----------------------------------------------------------------|
F#|-----------6-----------4-----4-4h6p4-------------------------9~--------11-|
C#|-----------------7-------------------------12-----11-----11-11h12p11-9----|
G#|---------------4---4-----4---------------9----9------9--------------------|
C#|-------------4-------4-----4---------4/9--------9------9------------------|
Intro Cont'd:
D#|--------------|
A#|--------------|
F#|--------------|
C#|--------------|
G#|--------------|
C#|---0~---------|
Verse: (You can figure out strumming)
D#|--------------------------------------------------------------------------|
A#|--------------------------------------------------------------------------|
F#|13--11--13--14--13--11--14--16--13--11--13--14--19--18--19--18------------|
C#|-x--x----x---x---x---x---x---x---x---x---x---x---x---x---x---x------------|
G#|11--9---11--12--11---9--12--14--11---9--11--12--17--16--17--16------------|
C#|--------------------------------------------------------------------------|
Chorus: (Repeat lots) (Fades out)
D#|4h5p4---4h5-----------|--------5---5h6-8-6-5---5-------|-----------------|
A#|------5-------5-------|6-5-6h8---8-----------6---8-6-8-|-6p5-6h8---------|
F#|------------6---------|--------------------------------|-----------------|
C#|----------------------|--------------------------------|-----------------|
G#|----------------------|--------------------------------|-----------------|
C#|----------------------|--------------------------------|-----------------|
Next Part: (You can figure out strumming)
D#|-------------------------------------------------------------------------|
A#|-------------------------------------------------------------------------|
F#|9--7--4--6--13---11---13--11---4---6---13---11---13---16---14--13-14-13--|
C#|x--x--x--x---x----x----x---x---x---x----x----x----x----x----x---x--x--x--|
G#|7--5--2--4--11----9---11---9---2---4---11----9---11---14---12--11-12-11--|
C#|-------------------------------------------------------------------------|
Interlude: (Repeat lots)
D#|------0-5p0-4p0-------|
A#|--5-------------------|
F#|6---6-----------------|
C#|----------------------|
G#|----------------------|
C#|----------------------|
.....
Bridge: (2x)
D#|-------------------------------------------------------------------------|
A#|-------------------------------------------------------------------------|
F#|-------------------------------------------------------------------------|
C#|----6---6p0-------------6-----6p0----------6---6p0-------------6-----6p0-|
G#|-------------------------------------------------------------------------|
C#|0-0---0-----0--0-0-0--0---0-0-----0-0--0-0---0-----0--0-0-0--0---0-0-----|
... . . ..... . ... ... ... . . ..... . ...
Bridge Cont'd:
D#|-------------------------------------------------------------------------|
A#|-------------------------------------------------------------------------|
F#|-------------------------------------------------------------------------|
C#|---------6---6h7-6p4-----6---6h7-6p4-----6---6h7-6p4-----6---6h7-6p4-----|
G#|-------------------------------------------------------------------------|
C#|0-0--4-4---4---------4-4---4---------4-4---4---------4-4---4-------------|
... ... . ... . ... . ... .
End of Bridge: (4x) (4x) (Ring out)
D#|----------------|-----------------|-----------------|--------------|
A#|----------------|-----------------|-----------------|--------------|
F#|----------------|-----4-5-7-5-4---|-------5-7-5-----|------7~------|
C#|6h7-6p4-6h7-6p4-|-5-7-----------7-|-5-7-8-------8-7-|------x-------|
G#|----------------|-----------------|-----------------|------5~------|
C#|----------------|-----------------|-----------------|--------------|
Little Middle Thing: (Too hard to hear)
Build Up: (4x) (You can figure out strumming)
D#|-----------------------|
A#|-----------------------|
F#|-----------------------|
C#|-----------------------|
G#|0--2--3--5-------------|
C#|0--2--3--5-------------|
..........
Outro: (4x)
D#|4h5p4-2---2-4-5-7-5-4-5-4-4h5p4-2---2-4-5-9-7-5-4-5-4h5p4-2---2-4-5-7-5-4-|
A#|--------2-------------------------2-------------------------2-------------|
F#|--------------------------------------------------------------------------|
C#|--------------------------------------------------------------------------|
G#|--------------------------------------------------------------------------|
C#|--------------------------------------------------------------------------|
Outro Cont'd
D#|-5----
Outro Cont'd:
D#|4-7h9p7-4-5-5h7p5-4-5-7-5-4----|
A#|-------------------------------|
F#|-------------------------------|
C#|-------------------------------|
G#|-------------------------------|
C#|-------------------------------|
Outro Cont'd: (Very last bit of craziness)
D#|7h9p7-4-5-5h7p5-4-5-7-5-4-4/7-7h9p7-4-5-5h7p5-4-5-7-5-4-5-5~-----|
A#|-----------------------------------------------------------------|
F#|-----------------------------------------------------------------|
C#|-----------------------------------------------------------------|
G#|-----------------------------------------------------------------|
C#|-----------------------------------------------------------------|
Brought to you by the GUITARMASTA - http://www.guitarmasta.net
Tab Discussion, Comments, and Critiques
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No Picture
tristan Rhythm Player |
#1 by tristan drew at Feb 14, 1976 at 6:53 PM EST |
| Nietzsche, for anyone who cares, is a philosopher that announced the death of God. He was widely read by the German Nazis, he supported a sort of "super man" that Hitler strove so hard to find. | |
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No Picture
Derek Average |
#2 by Derek Lamberty at Mar 6, 1976 at 7:14 PM EST |
| i listened it for about 6 hours yesterday, got home from school again and im listening to it again | |
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No Picture
Shredmaster Average |
#3 by Shredmaster Will at Jul 5, 1979 at 3:31 PM EST |
| ok, this hasn't really got anything to do with the song itself; but has anyone got any idea how the dutch words "uitrit dag en nacht vrijlaten" ended up in the artwork between these lyrics in the lyricsheet??? There are also some dutch words between the lyrics of "see you in the shallows": "...e is een kaketoe". I'm from belgium, so was kinda surprised when i saw those words in my language, but it made me wonder how they got there. I already tried to email thrice, but i didn't get an answer yet :( Thought maybe one of you guys could tell me... | |
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No Picture
Matt Lead Player |
#4 by Matt Miller at Jul 31, 1984 at 12:49 PM EST |
| Ghost man on third...dude i cant stop listening to this song also...along w/ In the years to come...I thought Identity Crisis was the shit back in the day but then i heard this new cd and its just amazing...I wouldnt say its better than identity crisis but i wouldnt say its worse...man thrice is just amazing cant wait for their new cd...Its going to be hard for them to out do these two albums...but they still rock | |
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No Picture
Hey Retard Wanna Be |
#5 by Hey Retard at Dec 16, 1990 at 11:49 PM EST |
| Wow... ....2:27 till 3:02 in the song seriously screws me up every time i hear it | |
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No Picture
Devin Average |
#6 by Devin Moreno at Sep 2, 1991 at 12:47 PM EST |
| i love this song, especially the part "feigning an apology, those words they never left your lips..." KICK ASS! | |
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No Picture
Jimmy Average |
#7 by Jimmy Dresbach at Jan 24, 1993 at 7:40 PM EST |
| There have been some really interesting interpretations of this song. I think that Dustin is saying people take meaningful things for granted…the tourist reference is an analogy for people who “take pictures” and other cultural artefacts of things such as “cathedrals”…the church (and life in general) when these people are disconnected from the truth…they’re missing the point; they could be engaged and involved in these things and actually make an effort to understand them. The song fits in with the theme of the album about so many people believing what they’re fed without question and/or denying truth because they’re scared of it (i.e. ignorance is bliss)…illustrated in the last line of the song “but its only a lie. Yes its only a lie…isn’t it?” Personally I’m not religious but like fixxpanel said, I acknowledge that Dustin probably wrote this song with regard to christianity. However, I think this song can be interpreted and used for non-believers too, for example…to me this song can be about how people are ignorant and obsessed with money and materialism rather than humanity. | |
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No Picture
Turbo Grom Wanna Be |
#8 by Turbo Grom at Mar 1, 1996 at 7:04 AM EST |
| beautiful song...just like the whole cd..except track number 10,i dont really like that one.but thrice is genius and its good to have a local band getting really known!so true about society now adays also | |
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No Picture
Jay Dizzle Wanna Be |
#9 by Jay Dizzle holden at Jun 16, 2001 at 1:09 AM EST |
| hey derrida what is that from? sounds like it might be something by thrice but i cant seem to remember from what. | |
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No Picture
Ale Wanna Be |
#10 by Ale Rosado at May 30, 2005 at 7:33 PM EST |
| yeah thrice rocks. nuff said | |
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