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Date: Sun, 25 Jun 1995 22:02:51 GMT
From: kenny@gil.net (Kenny Sahr)
Subject: The Relay - The Who
THE RELAY
INTRO:
E / / / | E / D A | E / / / | E / / / ||
["You can . . ."]
VERSE I:
[You can] hear it in the streets
E
See it in the dragging feet, The
Word is getting out about Control.
Spies, they've come and gone, The
Story travels on, The
Only private place is inside your soul.
CHORUS:
From tree to tree
D A
From you to me
D A
Travelling twice as fast as on an empty freeway
G D A
Every single dream
D A
Wrapped up in the scheme
D A
They all get carried on in the Relay.
G D A
(Relay) Things are brewing
B
(Relay) Something's doing
(Relay) There's a revolution
(Relay) Hand me down the solution,
C D
Yeah (Pass it on, etc)
E
GUITAR BREAK:
F# / / / | x 7 F# / G D ||
E / / / | / / / / | E / / / | / / / / |
VERSE II:
Someone disapproves
E
What you say I knew, I was
Asked to see if I could really learn you
Don't believe your eyes, They're
Telling only lies
What was done in the first place don't concern you.
CHORUS II:
From tree to tree
D A
From you to me
D A
Travelling twice as fast as on an empty freeway
G D A
Every single dream
D A
Wrapped up in the scheme
G D
They all get carried on in the Relay.
G D A
(Relay) Things are brewing
B
(Relay) Something's doing
(Relay) There's a revolution
(Relay) Hand me down the solution,
C D
Yeah (Pass it on, etc)
E
*** Note that the E 'chord' throughout the verses is only implied.
The
electric guitar is riffing and picking out notes 'around' an E7 chord
(eg, E, D, B, etc). In fact, the riffing is similar to Townshend's
later song
'Eminence Front'.
So, for rhythm guitarists, don't just play a straight E chord through
these
passages. Break it up by playing only part of the chord (trying not
to
emphasise
the major 3rd of the chord (G#)).
____________________________________________________________________________
______
Kerry, this song is so typical of Townshend's (and many rock
guitarists')
playing
in that the implied tonality is 'E major', but he's actually drawing
on his
'black'
influences to blur the song's tonality. He does this by using bent
minor
3rd notes
(G natural), diminished 5th notes (A#), and minor 7th notes (D
natural).
These notes
in particular give the song (and the E chord, especially) an ambiguous
'minor' feel.
(This ambiguity is further compounded by the strumming of the acoustic
guitar - which
IS playing a straight 'E chord'.)
So it gives it a 'black' feel that's very difficult to chart just by
saying 'E'!
Anyway, sorry to go on; I'm sure you know what I mean anyway!!
Jason.
P.S. You mentioned that the chart for 'PUT THE MONEY DOWN' is not very
accurate.
I used to have that book (but lost it accidentally when purging a
bookshelf).
Can you point to some obvious problems with the chart? I'd like to
compare it
with mine.
Collector of tabs for The Who...
Author of Hebrew language Jordan/Syria Travel Guide
Brought to you by the GUITARMASTA - http://www.guitarmasta.net
|
No Picture
black Rhythm Player |
#1 by black rose at Feb 27, 1970 at 8:51 AM EST |
| at Glastonbury '07 Pete Townsend said he wrote it about the internet back in 1971. pretty much supporting and simplifying what regb has already said | |
|
No Picture
Austin Wanna Be |
#2 by Austin Skitowski at Jul 21, 1970 at 8:43 PM EST |
| I think this song has to do with the metaphysical connections we all have with each other. Sending and receiving shared psychic energies/knowledge/love and thoughts that resonate between us and with others around us. | |
|
No Picture
!Ace Rhythm Player |
#3 by !Ace Youngs at May 23, 1975 at 4:09 PM EST |
| I think this song was originally part of the Lifehouse project...it was going to have a double album (Like Tommy) along with what could best be described as a "multi-media" presentation...anyway, the Lifehouse was about a future where everyone wears "experience suits" and lives life in Virtual reality, at some point someone wakes up and realizes that music can set people free to live in reality again...through the "Grid" that everyone is plugged into, a secret rock concert is performed, with the population of the world participating. at the height of this concert, a universal single note is played, unifying everyone and waking them into reality. Relay may have been a song that signified word getting out around the Grid about the coming Concert. | |
|
No Picture
Shreder Dude Wanna Be |
#4 by Shreder Dude at Aug 5, 1989 at 9:08 PM EST |
| I don't know why the put it on the who's greatest hits, i've only seen it on that album and nowhere else. The should have out in Odds & Sods or even better, Who's Next | |
|
No Picture
sean Wanna Be |
#5 by sean bradly at Feb 5, 1994 at 11:23 PM EST |
| Nobody comments on this? You people don't know what you're missing. This song has an incredable rythm as most Who songs do and it's very innovative. Don't know the meaning but i'd love it if somebody told me. | |
|
No Picture
black Rhythm Player |
#6 by black rose at Dec 3, 1997 at 9:16 PM EST |
| "Every single dream / Wrapped up in the scheme" I love that line. It kinda gives reasurance, you know? That no matter how alone anyone feels, that there will always be the unifying bond of music, where all dreams and ideas come together. definitely an amazing song! | |